By Samantha Ellen Morse
Although we normally discuss terror, horror, and the sublime in relation to early Gothic literature, I’d like to call our attention to another similar, but significantly distinguishable affect: dread. Dread is unique because of its future orientation, something we don’t normally talk about with the past-dominated Gothic. However, I’d like to present two readings of dread, in Horace Walpole’s The Castle of Otranto (1764) and MG Lewis’s The Monk (1796) to demonstrate how integral this expectant affect is to the genre.
Continue reading “What Happened To Dread in the Nineteenth Century?”
By Tanja Jurkovic
…or is it simply a by-product of the Western influence?
I’ve been googling the term Gothic romance in the Balkans, and in certain Balkan countries, apart from getting the search results connected to the Gothic genre and how it came into existence, not much information appeared, specific to that part of the world, in literature, film or any other medium. I did, however, find articles and news reports of the Gothic as a lifestyle, fashion statement and part of the music genre, a “movement” that I belong to as well, but that is a story for a different post. In this post, I would like to focus more on the Gothic genre or the lack of its presence, other than the historical one, on the Balkan territory.
Continue reading “The Gothic in the Balkans: Does it Really Exist?”